“Culture is a little like dropping an Alka-Seltzer into a glass. You don’t see it, but somehow it does something.” — Hans Magnus Enzensberger
- The Terrible Twos: Twins in Horror Movies
- Dinner and a Murder: Death at Thanksgiving
- Halloween and The Pinup Witch
- Halloween, Newspapers, and Mid-19th Century America
- Christmases Long Long Ago: Ghost Stories and the Winter Solstice
- Bad Things Come in Threes: The Weird Sisters of Dracula
- Brides and Daughters: Women of Universal Monster Movies
- Unyielding in Their Mystery: Cats in Horror Films
- Left Your Window Silver White: Jack Frost & Winter Wonder
- The Creepy Clown and Naughty Nurse — Halloween Costumes: Revelatory, and Perverse
- “It Rains, and the wind is never weary”
- Taste, Culture, and Balance: The Work of Rick Rubin
- Paperwork for the Devil
- Mummers, Murder, and Merrymaking
- Vampira and Subversion: From Outsider to Icon
- More (or Less) Human: Gynoids and Realdoll AI
- Murderous Frogs and Dead Birds: Two Odd Victorian Christmas Cards
- Autumn and the English Language
- Frightgeist: 100 Years of Horror Films
- Even Wilder: The Cultural Significance of a Comedic Frankenstein
- We Will Explore Hell: W.C. Morrow, Tourist Traps and the Conte Cruel
- The Gothic Staircase: From Piranesi to Harry Potter
- Heap of Dust: A Brief History of Birthdays
- Vamping It Up: Rudyard Kipling, Theda Bara & the 20th Century Femme Fatale
- From Janus to Mnemosyne: Memories of the Year to Come
- The Fluidity of Time
- Meteors and The Popular Imagination
- Sinister Claus: A Tradition of Terror at Christmas
- Tattie Bogies, Kuebiko and Feathertop: The Scarecrow of Folklore and Fiction
- Bathed in Blood
- In Tongues
- The Moon Howls
- The Dead Will Not Lie Down: Towards An Understanding of Kinemortophobia
- Flare for the Dramatic