Tag Archives: occult

That Ain’t No Angel

Guardian angels. “An angel on your shoulder.” Cute little cherub postcards and watches. Angels are not only a part of popular culture, but they are serious business to your grandmother, or that strange man who lives down the street and is convinced he sees them everywhere. A comfort to us all. Right?

Not quite.

The literature on angels is exhaustive, and much of it depicts them as awesome, even fearsome creatures. Whether they are messengers (Gabriel telling Mary she’s knocked up), soldiers (Michael kicking fallen angel Satan to the curb), or part of the rank and file, angels — in Jewish and Christian tradition at least — are God’s emissaries. And they come in many varieties. Some bear multiple wings (seraphim); others, multiple faces (cherubim). Some fight. Others fall. There are nine specific types (or “choirs”), to be exact. And every one of them has a job.

Guardian angel detail
Guardian angel protecting a soul (15th-century French Book of Hours, Morgan Library and Museum, New York).

In apocryphal, kabbalistic, and occult texts, calling upon angels for services, like protection, or gifts, like wisdom, is laid out in complex rituals involving circles, incantations, or bizarre scribbling. Even when you don’t call them, they still show up. In all four gospels in the New Testament, for example, angels appear to speak to many of the women who visit Jesus’ tomb. Yet, angels are not confined to the Old and New Testament. They may, in fact, have come from Babylon.

During the Babylonian exile (between 597 BCE and 538 BCE), Jewish scholars incorporated the celestial beings of their captors into what would become the first books of the Old Testament. Though tradition places Moses’ writings  to around 1400–1300 BCE, most modern scholars believe the stories to only have been written down by the 6th and 5th centuries BCE — during the time of exile (after the fall of Jerusalem). It would only make sense, then, that those who first began to write down the history and beliefs of the Jewish people would work into their texts those things that influenced them during their time in Babylon. In fact, Jewish authors of the Old Testament were inspired not only by Babylonians, but the Assyrians and Sumerians as well.

Enuma Elish, the Babylonian creation myth, for example, has many similarities with Genesis. And the Sumerian Epic of Gilgamesh recounts a massive flood that may have influenced the story of Noah and his ark. Harut and Marut, two supernatural creatures named in the Quran, are sent to earth to test humanity — and where else, but the ancient city of Babylon. Lamassu. Shedu. Apkallu. The Babylonians had many angelic-type creatures, or gods depicted with bird / angel wings. As did the Assyrians. The Mesopotamian sun god Shamash (also known as Utu) is often depicted as having angel-like wings. Oh, and he fights monsters, much like Michael, who, in some kabbalistic traditions, is likewise often linked to the sun.

Babylonian god Ninurta
The Babylonian god Ninurta hunting a chaos monster, the lion demon Tiamat.

Knowledge of the Babylonian influence on Judeo-Christian mythology, however, does not diminish the majesty and grandeur of seraphim, cherubim, and the other types of angels. In some ways, it legitimizes them as being part of a larger, deeply human need for the divine to reveal itself. Or kick some ass, as they do in John Milton’s Paradise Lost (1667). Inspired by biblical accounts of angels, Milton adds terror of an apocalyptic scale to his celestial beings. His are not kind messengers with bird-like wings. They are formidable warriors.

Fast forward to the twentieth century, cinema, and the boob tube. Angels are softened during the first half of the 1900s. They are stripped of their ominous nature and terrifying appearance. In television and movies, some angels are kind, writing wrongs and warming hearts (“Touched by an Angel”). Others are somewhat dull and bumbling (THE BISHOP’S WIFE (1947). And who can forget the gentle, bumbling Clarence Odbody from the 1946 holiday classic IT’S A WONDERFUL LIFE. Then, there are guardian angels who are actually somewhat annoying, like James Mason aggravating Lucille Ball in FOREVER, DARLING (1956).

Angel Paul Bettany
Angel Paul Bettany holds off an invasion of his brethren in LEGION (2010).

But sinister angels? Leave it to the latter part of the twentieth century and beginning of the 21st for such cynicism. Christopher Walken as Gabriel in 1995’s THE PROPHECY, for example, is an asshole. Then there are angels like Paul Bettany’s Michael in LEGION (2010) that fight other angels who, at God’s command, are prepared to destroy the earth. Turns out, ironically enough, that God has lost his faith in humanity.

Regardless of their depictions, motivations, powers, and abilities, angels serve. But it’s not just service to God — a belief of those who, well, believe — it’s service to us. Not as lapdogs doing our bidding. But as symbols showing us that there’s a bridge between heaven and earth. Metaphorical as that may be, that bridge might also inspire some to live better, be kinder, and serve each other in order to one day cross that bridge. Or — as is the case apparently with some of the more indignant angels — blow it up and go to hell.

 

Paperwork for the Devil

Faust making a pact with the devil, lithograph, 1885
William Gladstone as Faust making a pact with the devil, lithograph, 1885

From Faust to Robert Johnson, fictional and historical figures alike have been mythologized for making pacts with the devil. Beelzebub. Lucifer. Old Scratch. Satan. The Devil is a decidedly Christian being that, while having demonic precursors outside of the Judeo-Christian tradition, is pretty much a product of the Old and New Testaments. Sure, the Babylonians had many malevolent demons. The Egyptians had their dark gods. Zoroastrianism even had a nasty spirit named Angra Mainyu. But it’s in the Tanakh, or Hebrew Bible, that Satan really takes shape — first as heaven’s prosecutor of sorts. Later, in the Synoptic Gospels,  Satan comes into his own as both the great red dragon of Revelation, and the evil being that tempts Christ in the desert. And it’s his role as tempter of Christ that leads to a depiction of the Devil as one who can fulfill desires — for a price. Much like a genie (or djinn), the Devil can deliver on all things worldly.

Even make contractual agreements.

Theophilus of Adana, a 6th century cleric, may be the first documented story of a someone who makes a pact of this type. The archdeacon of Adana, part of modern day Turkey, Theophilus is said to have, out of humility, turned down a promotion to bishop. But when the bishop elected in his stead deprives Theophilus of his position as archdeacon, the poor priest comes to regret his decision, and seeks out a magician to help him contact Satan. In exchange for his help, Satan demands that Theophilus renounce Christ and the Virgin Mary in a contract sealed with the cleric’s own blood. Theophilus agrees, and is made bishop.

Fearing, however, that he has put his immortal soul in jeopardy, Theophilus repents, fasts, and implores the Virgin Mary to intercede on his behalf with God. Satan eventually relents, and Theophilus wakes to find the contract on his chest. He shows the contract to the legitimate bishop, who then forgives poor bastard and burns the document. Out of sheer relief, Theophilus dies and, presumably, goes to heaven. Oh, and he’s made a saint — which gives hope to everyone who’s considering selling their soul.

The tale is attributed to an eighth century scribe, Paulus Diaconus of Naples. From a modern Latin translation comes the details of the pact itself: “Let him deny the son of Mary and those things which are offensive to me,” says the Devil, “and let him set down in writing that he denieth absolutely, and whatsoever he may desire he shall obtain from me, so long as he denieth.” And so it would seem that we have the first instance of such a pact, and the importance of the written contract.

That element of such a pact — as a written contract — is repeated again and again in the centuries to come. It would eventually finds its way into literature — most notably in Marlowe’s Doctor Faustus (1592). And from the 16th to the 18th century, countless witches would be tried and executed over the accusation of such agreements.

Urbain Grandier's Pact with the Devil
Urbain Grandier’s Pact with the Devil from Dictionnaire infernal ou bibliothèque universelle, 1826

The case of the 17th century French Catholic priest Urbain Grandier is perhaps the most infamous of these trials (and the inspiration for Aldous Huxley’s Devils of Loudun); what unique about Granier, however, is that an actual printed document was presented at his trial in 1634. Said to be penned by all manner of demons and the Devil himself, it is a mishmash of reversed Latin and many occult symbols. In it, Grandier is promised “the love of women, the flower of virgins, the respect of monarchs, honors, lusts and powers.” He’s only given 20 years before his soul is forfeit, but it would seem the Devil got his due much earlier as Grandier was tortured and subsequently burned at the stake. With phrases like “He will go whoring three days long; the carousal will be dear to him,” the contract is quite detailed in its promises.

But a simpler tale of a deal with the Devil may be actually be found in a fairy tale commonly referred to as “The Smith and the Devil.” In it, a blacksmith trades his soul for supernatural powers, and then uses this power to trap the demon with whom he made the deal. So straightforward a story, it was collected by the Brothers Grimm in their two volume (1812 and 1815) Children’s and Household Tales (though it was removed from most later editions).

Like most folktales, the origins of the story are murky. It was readily believed to be European in origin or possibly Russian. That is, until very recently when folklorist Sara Graça da Silva and anthropologist Jamie Tehrani argued that “The Smith and the Devil” may in fact be one of the oldest known folk tales on the planet, and was told from India to Scandanavia. In their 2016 study “Comparative phylogenetic analyses uncover the ancient roots of Indo-European folktales,” the authors present evidence that the basic plot of the tale is found across the Indo-European speaking world dating back over 6,000 years, to the Bronze Age.

But a signed contract? With the story of Theophilus not being readily told until the 11th to 13th centuries, it seems that the Devil requiring a physical contract is a relatively recent development, historically speaking.

All in all, I suppose it’s better to get it in writing.